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Tip
#24
Shaping
(continued)
Printer
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Pg. 1-3, Pg. 4-6,
Pg. 7-9, Pg.
10-12, Pg. 13-14
Fence
Shaping
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Figure
9-12. The width of the stock determines the setup.
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When fence
shaping the width of the stock determines the position of
the stock and the shaping accessories used:
- Stock
less than 1" wide, use the feather board guard, one feather
board on the infeed side and an additional feather board
on the outfeed side, secured in the table slot (Figure
9-12A). Use a push stick or when it's necessary to push
stock underneath the feather board, use a long piece of
scrap wood.
- Stock
1" to 2-3/4" wide, use the feather board guard and a feather
board secured in the table slot (Figure
9-12B).
- Stock
2-3/4" to 6" wide, use the feather board guard and a feather
board secured in the table slot with C-clamps(Figure
9-12C).
- Stock
over 6" wide, use the feather board guard and a push block
(Figure 9-12D).
You can
remove the entire edge of the stock or only part of it (Figure
9-13). It depends on the cutter you are using and the
shape you wish to produce. When only part of the edge is cut
away, the surfaces of the fence boards must be on the same
plane (Figure
9-14). The workpiece moves across the cutter and receives
the same support from the outfeed board as it did from the
infeed board.
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Figure
9-13. Shaper cuts can remove part of or the entire
edge of the workpiece. Not: Depth of cut exaggerated
for clarity.
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Figure
9-14. When removing part of an edge, align the two
fence boards.
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Figure
9-15. When removing an entire edge, offset the outfeed
board.
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When the
entire edge of the workpiece is removed, fence alignment must
be adjusted to suit the depth of cut. You can do this by offsetting
the outfeed board (Figure
9-15). Once the work has passed the cutter, the position
of the outfeed board must compen-sate for the change in the
stock's width.
Use a
feed that is slow and steady. A slow feed allows the blades
of the cutter to work longer over a given area of the wood
and this produces smoother cuts, while allowing the cutter
to work without choking. Of course, this can be overdone.
Judge feed speed so the cut progresses smoothly without straining
you or B the cutter. Try to work so you are cutting with the
grain of the wood. When you must cut against the grain, use
an even more conservative feed speed.
Some
shapes are attained by making two or three passes. Reposition
the workpiece and the cutter after the first pass to provide
the additional cut that completes the form. Operations like
this are best handled by first sketching the shape required
on the edge of the stock, then selecting cutters that will
fit the contours of the form.
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Figure
9-16. The drop leaf joint is sued to extend the
size of a table by means of hinged outer leaves.
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Drop
Leaf Joint
This popular joint (Figure
9-16), is used to extend the size of a table by means
of leaves that are hinged to a fixed center section. The drop
leaf joint, or "rule joint" as it is sometimes called, is
preferred over a simple butt joint because of its neater,
more professional appearance.
With the
special set of cutters, you can shape the edges of both the
table and the leaf so they will match perfectly. The table
edge is formed as shown in Figure
9-17. The shoulder doesn't have to be as wide as it is
on the cutter; this will be dictated by the thickness of the
tabletop and controlled by the height of the cutter in relation
to the workpiece when making the pass. The full radius, however,
should be formed since it will have an impact on the appearance
of the joint when the leaf is raised. Figure
9-18 shows a leaf edge be-ing shaped.
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Figure
9-17. One cutter of the drop leaf set is used to
form the table's edge. It isn't necessary to form the
shoulder to the cutter's full depth.
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Figure
9-18. The second cutter is used to form the edge
on the drop leaf.
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Tongue-and-Groove
Joint
This joint is frequently used when joining boards edge-to-edge.
The mating forms can be shaped by working with the set of
cutters, one to form the tongue, the other the groove, but
it's also possible to do both parts of the joint by working
with a single blank cutter; it depends on the thickness of
the stock. For example, if the stock is 3/4" thick and you
have a 1/4" blank cutter, the work can be done as follows:
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Figure
9-19. Using a 1/4" blank cutter to form a groove
exactly centered in the edge of the stock.
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Set the
height of the cutter to form a groove exactly centered in
the edge of the stock. Organize the shaper fence so the groove
will be as deep as the cutter is wide; then make two passes,
the second one after the workpiece has been turned end-for-end
(Figure 9-19).
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Figure
9-20. The same cutter is used to form the tongue.
The shape is the result of opposing rabbet cuts made
on the same edge.
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The tongue
is formed as shown in Figure
9-20. Once the cutter height has been adjusted, it's just
a matter of forming opposing rabbets on each edge of the work-piece.
Make the first cut. Do not make a change in depth of cut.
Then turn the workpiece over and make the second cut. Be sure
the tongue that results will be a nice sliding fit in the
groove.
Stopped
Cuts
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Figure
9-21. Examples of stopped shaper cuts.
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Figure
9-21 shows examples of stopped cuts made by using stop
blocks. Stop blocks, spaced to suit the cut length, are clamped
to the shaper fence as shown in Figure
9-22. Brace the end of the workpiece against the infeed
stop block and then swing it slowly into the cutter until
its edge is snug against the fence. Make the pass until the
workpiece butts against the out-feed stop block. Turn off
the machine and let it come to a complete stop. Carefully
pull the trailing end away from the fence.
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Figure
9-22. The length of the cut is controlled by stop
blocks clamped to the shaper fence.
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You can
do this kind of work on pieces that are too long for the standard
shaper fence by making special long fence boards like the
standard fence boards.
Slim
Moldings
Warning: Trying to form slim moldings by working on narrow
pieces of wood is a dangerous practice. To make slim moldings,
shape the edge of a large workpiece and then, working with
either a hollow-ground or carbide-tipped saw blade, cut off
as much as you need. This technique is also valuable because
it enables you to form moldings you would otherwise have to
buy (for example, half-rounds); and you can form the moldings
in whatever kinds of wood you choose, an option not available
through commercial supply houses.
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Figure
9-23. The nosing cutter of a flute and nosing set
of cutters is used here to round off the edge of a workpiece.
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Figure
9-23 shows the start of such an operation using the nosing
cutter that is part of the flute and nosing set. After the
edge is shaped, the half-round is removed by sawing (Figure
9-24).
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Figure
9-24. When the edge of the workpiece is sawed off,
you have perfect half-round moldings.
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Figure
9-25. Unless the workpiece is wide enough to provide
sufficient bearing surface against the fence boards,
make all cross-grain cuts with the miter gauge and safety
grip.
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Shaping
Cross Grain
Cross-grain cuts are seldom as smooth as those made with the
grain. To get the best results, use a very conservative feed
rate and keep the workpiece moving steadily. If the cuts are
deep, make more than one pass, adjusting the cutter after
each pass until the shape is fully formed. Warning: If
the workpiece is not wide enough to have sufficient bearing
against the boards, use the miter gauge and safety grip to
secure the workpiece while making the pass (Figure
9-25).
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Figure
9-26. Make the cross-grain cuts first when shaping
all four edges of a workpiece.
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If you
are shaping a square corner, always make the cross-grain cut
first. The second cut, made with the grain, will remove the
slight blemish that is inevitable at the end of cross-grain
cuts. When you must shape all four edges of a workpiece, do
the cross-grain cuts first, then the final cuts with the grain
(Figure 9-26).
Continue
to Pin Shaping
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